Torment, Lauren Kate

Daniel has whisked Luce away from her old reform school, Sword and Cross, and hidden her at Shoreline, a new boarding school in California which couldn’t be more unlike the last. Where Sword and Cross was bleak, grey and miserable, Shoreline is more like a summer holiday resort, fresh and modern and sunny. There are special classes for those students descended from angels – a sort of celestial Hogwarts! – while to the unknowing it is simply a very exclusive private school. I found the strong point of Fallen to be the school-story scene setting, the friendships and the gothic atmosphere. Although less memorable than Sword and Cross, I enjoyed reading more of the set-up and meeting new characters, especially Luce’s roommate, the irritable Shelby. On the other hand, Luce’s other new girl friends, Dawn and Jasmine, who swoon over her as though she were a celebrity, almost gave me a headache with their shrill hysteria, and this was from reading about them on the page!

After reading Hush, Hush and Crescendo, which I found to be somewhat insipid, I’m glad to see that Lauren Kate’s mythology has something behind it to identify it as being about angels and demons (rather than Interchangeable Magic Boyfriend Creature whose defining feature is that "wings are a neat idea.") Although it isn’t consistent with my understanding which is that there are either angels which are good, demons which are the same as fallen angels, no middle ground, this is Lauren Kate’s story, not mine, and she’s clearly put a lot of work into establishing a fantastical world. All the same, there seem to be a few inconsistencies or things that just feel like cheating. For one thing, there is the whole “You and I aren’t so different after all,” message between angel and demon which goes against their being the forces of good and evil – a conflict which indicates that Lauren Kate has drawn inspiration from Milton’s Paradise Lost. "Or at least the CliffsNotes."

We see a return of the shadows which have plagued Luce since her childhood, which have been revealed to be messengers for dark forces, called Announcers. Now, it seems that if you can hold onto them and stretch them about, they become magic TV screen/crystal balls which show you scenes from the past, which also double as a kind of spatio-temporal hyperlink.* I was reminded of my own juvenile attempts at writing fantasy where I made the rules up as I went along.

In Fallen, I found myself irritated by Luce’s insistence of her twoo wuv for Daniel which seemed to be without any foundation except the discovery that she is his reincarnated soul mate, and that they always end up together (before she dies.) I put enough distance between me and Fallen to forget the details of why their “inexplicable connection” and subsequent “relationship” annoyed me, and this time around was able to take Luce’s word for it. They’re in love, they’re soul mates, yeah, whatever, if you say so. I still wasn’t convinced, but this time around at least Kate didn’t constantly rub my face in it.

Torment is that obligatory Volume Two of many Magic Boyfriend Creature romances where the couple are parted – for the girl’s own good, of course – and the boy acts mysterious and won’t tell the girl anything. It happened in the Twilight books and Crescendo, and here it happens again. I was glad to see that Luce didn’t waste too much time moping, however, but was proactive, questioning what she’s been told by Daniel about their past together, and trying to find out the truth for herself instead of blindly accepting everything he has to say.  Also, by this time some of the initial dizziness of first romance - at least, Luce’s first romance where the boyfriend didn’t spontaneously combust on their first kiss! – has worn off, we find Luce identifying some of the traits of the modern YA Interchangeable Magic Boyfriend Creature (IMBC) Romance genre which are so worrying as a relationship model for teenagers: that the IMBC boyfriend has to know and control his girlfriend’s every move, but keeps his own a secret. Luce even finds herself wishing that Daniel is more like her new crush Miles (Yes, here goes another love triangle! Make up your mind, girl!)

“This was exactly the kind of goofy, teasing rapport she would love to have with Daniel. If only he weren’t so brooding all the time. If he were actually around.”

If, in short, he wasn’t Daniel at all. For a moment, I wondered if this would be the IMBC romance where the girl might realise that she’s in love with the idea of the IMBC more than the guy himself, and make her choice based on reasons other than fate/inexplicable connection/magic/he wants my blood [delete as appropriate.] Just for a moment.

Another three-star rating, but with less polar extremes than Fallen: it isn’t as good as the best of the former, but it’s not as bad as the worst. A lot better than I had expected.

*Didn’t want to say “magic door.”

Crescendo, Becca Fitzpatrick

After all the hype about Hush, Hush, I judged it to be a very average teenage novel, with a compelling but not compulsive storyline, decent overall, but nothing that really stood out. I made sure to read Crescendo fairly soon after its predecessor, so that the story-so-far was fresh in my memory, and I could pick up where I left off.

I found Crescendo to be less average than Hush, Hush, but I'm sorry to say that I don't mean that in a positive way. Firstly, there were the inevitable comparisons with New Moon, book two of the Twilight series. In Crescendo, Nora feels insecure about her relationship with Patch, who seems to be keeping things from her, and before we are far into the story, she breaks up with him. Unfortunately, despite Nora being the first-person narrator of the series, I was not seeing the story through her eyes, but rather through the eyes of an outsider, moreover a reader who knows all too well how these stories go. It was far too obvious that Patch's secrets were nothing to do with him not really loving Nora any more, and that he had his reasons for keeping his distance. Nora spent a lot of time feeling angry with Patch for breaking her heart - when it was she who did the leaving in the first place. (Think Sandy in Grease.) She also seemed to have left her common sense (never particularly bright) in Patch's pocket, and I (metaphorically) read from behind my hands as Nora made stupid decision after decision and hoppity-skipped right into danger's pathway. Again, though, I observe this as a genre-savvy reader rather than from the character's point of view.

I thought that the story itself took a very long time to get started. Early on Nora discovers a hint about her father's murderer, but aside from a couple of scenes, that plotline is suspended for about a hundred and fifty pages while she tries to get over Patch, stalk Patch, get to know her returned childhood friend Scott (who is TROUBLE with a capital T and a capital ROUBLE) and work out if Patch really is dating Nora's worst enemy forever Marcie Millar. Once the father story is picked up once more, in the last quarter of the book, the pace picked up and I was able to lose my irritation enough to stop snarking and start caring once more. I was turning the pages quickly, wanting to know what had really happened to Nora's father, and just where Marcie Millar came into it all. After three hundred pages of teenage angst and sneaking about, the narrative returned to the action thriller of the previous volume. Just as it looked as if everything was going to be back to normal, Crescendo ended on a cliffhanger, because after all, you can't have less than three books in a teenage series.

I'm very sorry to Ms Fitzpatrick and all her fans, I want to award more, but Crescendo earns two stars from me.

Hush, Hush, Becca Fitzpatrick

It would be impossible for me to review Hush, Hush, without comparing it at all to the other big angel story, Fallen. Both books were published around the same time, as were their sequels. Since Twilight, the bookshops' teenage sections became overdosed with vampire romances, and as this has (she says, tentatively) started to slow down a little, Fallen Angel books seem to be taking their place. It's not a sub-sub-genre that I expect to get drawn into on the whole. I would have preferred to read just one, but Fallen and Hush, Hush appear to be so evenly matched in first place that I simply couldn't choose between them.

I read Fallen first, on the strength of the cover. My review was mixed: the good (setting and atmosphere) was very good indeed, while the bad (characterisation, romance and most of the plot) caused me to want to throw the book across the room on numerous occasions. Wanting to simultaneously award the book one star and four stars, I averaged on the generous side with a three.

In Hush, Hush, Nora Grey is paired up with a mysterious classmate in biology, who is handsome but obnoxious, a bit creepy and knows too much about her. She does not like him at all, and wants to find out something about him in return. He is not forthcoming, and any research comes up blank. Nora's dislike gradually turns to curiosity and attraction. Not long after meeting Patch, Nora finds herself caught up in a series of seemingly unrelated frightening encounters and lucky escapes, and Patch seems to be involved in some way too.

I enjoyed Hush, Hush, well enough, and liked Patch, although if you ask me, his name should belong to a puppy, not an angel or even a human! That aside, unlike many idealised romantic interests, he had a sense of humour, and like Nanny Ogg of Discworld, there is nothing he can't make sound grubby (or if there is something, he hasn't found it yet.) The romance, although fairly predictable, at least follows the Pride and Prejudice model (Girl Dislikes Jerk Guy But Also Fancies Him, Girl Gets To Know Jerk Guy And Fall In Love,) rather than the Twilight model (Girl Sees Jerk Guy And Falls Instantly In Love, Completely Ignoring Any Jerkish Qualities, As Does The Narrator.) They even get to speak to each other before Nora feels the inevitable "connection." Nora's best friend Vee, too, was a fresh and outrageous character, boy-mad, full of mad plans to bring the quieter Nora out of her shell. Despite her being the narrator, I was left only with a vague idea of Nora's character: she's a high-achieving schoolgirl, responsible enough for her mother to leave her home alone a lot and maybe a tiny bit of a snob. Other than that, she came across a bit generic, perhaps a deliberate ploy to get the empathy of teen readers. Although the plot shares some ideas with Fallen, the tone is very different: a fast-paced thriller with some fantastical and mythical elements, as compared to the brooding Southern Gothic of Fallen.

I found Hush, Hush to be an enjoyable, yet somewhat forgettable teen novel. Like Fallen, it scores three stars out of five, but without the wide gulf between good and bad. It was consistently okay.

There was, however, one thing that bothered me a little bit: Patch's goal of getting his wings [back] made me think of nothing so much as a funny little chap named Clarence.

Fallen, Lauren Kate

As soon as Fallen arrived on the bookshelves of my workplace in all its gothic glory, it was inevitable that I would not be able to resist its call forever. Long I protested that I wasn't interested in teen romances with non-human love interests, but the book won out in the end.*

Fallen opens with a prologue set about 150 years before the main events of the story, well-written with a good sense of time and character, an artist and his mistress in 19th century England. A short scene, seemingly unrelated, but it hooked me immediately and kept me wondering how it was relevant.

Chapter one, and the scene changes to Luce arriving at her new boarding school. Great! (Have I mentioned that I am partial to boarding school stories?) Sword and Cross is no ordinary boarding school, but a reform school for juvenile delinquents and headcases, where Luce has been sent after an unfortunate incident where a boy died. Sword and Cross has a creepy, zombie atmosphere to it, everything described in shades of black and grey, mould and mildew. To add to the bleakness, although there is no school uniform, the dress code is black, black and more black. Black jeans or skirts, black sweatshirts or jackets, black Converse boots... you get the picture. The students are watched 24/7 by surveillance cameras (although they show great resourcefulness in disabling them!) one third are tagged by electronic wristbands, and detention involves clearing the neighbouring graveyard at the crack of dawn.

Somehow I found myself seeing superficial similarities between Sword and Cross and my university hall of residence: not only did the back buildings overlook Surbiton Cemetary, but it was rumoured to have formerly been a prison - although the truth of that rumour never was established. Being a reform school, the characters were not the same archetypes of the average high school story. Everybody had a Past. Still, Luce manages to make some friends, Arriane and Penn (short for Pennyweather! Probably the only sane person at Sword and Cross, who is only there because her late father was on the staff.) As this is young adult literature, she also meets two boys: the friendly and flirtatious Cam. And Daniel.

From here I felt the story go downhill. Daniel is gorgeous and expresses an instant dislike to Luce, but she "feels a connection" with him, a sense of deja vu and persuades herself that actually they were meant to be together. Daniel gives little to no encouragement to Luce, and all we have to go on are vague descriptions of "feelings," which was a problem as their "connection" proved to be central to the plot. I found Luce's obsession over someone who treated her badly unconvincing from the start, and their relationship to have as much substance as that of Bella and Edward in Twilight, if that.

Meanwhile, Luce seems to be getting on pretty well with Cam, who is instantly smitten. Unfortunately, he just doesn't compare to Daniel. It is as if Cam is the boy Luce would like, if she was simply what she appears to be. But there is something strange about Luce, something that she doesn't understand but that Daniel seems to - if he would only talk to her for two minutes at a time without vanishing on her. Aside from the deja vu, Luce is haunted by "shadows" that no one else can see, but from which she senses threat and hostility. Since arriving at Sword and Cross, these shadows have appeared to her more frequently and they are gaining substance, bringing disaster with them.

As the book comes to a close, and Luce agonises over her two romances, some truths are revealed about Daniel's true nature and his history - and hers. As a battle begins between good and evil manifest, friends, classmates and staff are forced to take sides and some of their true loyaties are surprising. The finale in the graveyard and around the school is a dramatic and terrifying affair, and I was left with the knowledge that this is just the beginning. Only some of the questions raised in the book were answered, and I wanted to know more. Why does the fate of the world revolve around Luce (and Daniel?) What really happened the night Luce's first crush died? And how on earth will they keep their world appearing to be the same as the one we know?

I found it difficult to rate this novel, because there was so much good about it, and yet so much that really annoyed me. In the end I settled on an average of three stars, although that feels stingy to the story as a whole and over-generous to Luce and Daniel, who are the largest part of it. I shall certainly be reading the sequel, Torment, although I haven't decided whether to wait for it to be released in the smaller-format paperback or take advantage of the excellent multi-buys that the bookshops are currently offering on children's books.



*Having looked at the cover for about a year before reading it, I was rather disconcerted to discover Luce does not look like the girl in the picture, having had her long hair cut short just before the book opens.