Wednesday, 27 April 2016

Z for Zachariah


While looking through a box of old books from my childhood, I found a dystopian YA novel written long before dystopian YA Novels were A Thing. I read Z for Zachariah in year 8 for English, the year when we really started learning about Literature in earnest. My teacher was Mrs Leppard, and she split the class up into small groups to read and discuss one of a selection of science fiction and speculative fiction. Animal Farm, was one of the others on offer. I remember sitting with three other kids in the cloakroom or the library - (Jo Holt, Sam Irving and one other - possibly Mark Harrison) feeling, even then, that this was what it was to be a student.

Written in the 1970s, Z for Zachariah is set after a nuclear war wipes out masses of the population - perhaps most of the world, perhaps just a region. It is written as the diary of a teenage girl, Ann, whose family farm in a valley has escaped contamination. Her family ventured out of the valley to investigate, and were never seen again. With only the company of her dog, Faro, and the cows and chickens, Ann survives by farming and with resources from the nearby store. Then, one day, a stranger comes to the valley, dressed in a radiation suit. Although Ann is wary of the newcomer at first, she comes to his aid when he becomes sick from swimming in a contaminated stream, and they strike up a tentative friendship. But can he really be trusted?

I had very vivid memories of the first half of Z for Zachariah from reading it at thirteen; we spent several lessons reading the novel slowly, and discussing it, and I still, seventeen years on, could picture Ann's valley, her day-to-day life living without electricity in one green place surrounded by dead land. I recalled the arrival of John Loomis, her wariness of him, his sickness and Ann nursing him back to health. But I think we didn't have enough lessons - or perhaps we got sidetracked in our small groups - to read the entire novel, and the ending was more vague. I probably didn't understand all of what was being implied, or why Loomis went from being an ally to a threat one night. And I remember hurrying through the last chapters on the last day of term, so that I could hand my school book back to my teacher. (I since bought a copy in a charity shop or used bookstore, but hadn't reread it until yesterday.) But it lingered with me. There is a real sense of claustrophobia, when Ann is hiding in the valley. She can't leave, because there is only one radiation suit and Loomis guards it jealously. He gradually proves to be a complex and chilling character, a dangerous control freak, and Ann is trapped with him with no one else for miles around - or further - or anywhere.

Even now, in a bookish landscape full of apocalypses and dystopias, Z For Zachariah stands apart from the rest. It is effective in its simplicity: no totalitarian governments to bring down, no factions, hunger games or political intrigue, just two people in one little corner of the world, trying to survive.

Tuesday, 19 April 2016

Book Club: Katie and Judith read Stephen King's The Stand - Book 3

After spending over a month reading The Stand and not a lot else, I finally finished it at the weekend. It's been a wild ride. Fictional superflu. Actual flu. 2-person book club meetins at home, in the pub, in Costa and on the beach. My poor book is rather ragged-looking after just one read, and it's going to be a relief not having to carry that massive tome around with me everywhere. It's been the rare occasion when I've almost - almost - wished for an e-reader instead. 

Spoilers, spoilers, spoilers.


Loose Ends

  • By the end of Book 2, it still felt as though there was an awful lot of plot to go; the narrative was racing towards a conclusion before it felt ready - despite having already invested over a thousand pages in the book. How on earth was Stephen King going to tie up all the loose ends in the last 300? (That's almost the length of an ordinary paperback novel, and yet it seemed pitifully small.)
  • Well, one means he used was to simply cut off entire threads of story. The first few chapters see one character after another come to a sudden and brutal end, some before their stories really felt like they were beginning. Of the three spies sent to Randall Flagg's Las Vegas, two are dead within two chapters. Harold's story, too, is cut off suddenly; we are suddenly at the miserable end of his life, and see how he got there only in flashback. And Nadine. After years of grooming from Flagg to become his wife and the mother of monsters, one outburst and all his plans are thrown out of the window - literally!
  • Narratively, this should be most unsatisfying. It breaks all the rules of storytelling. And yet, somehow it works. The sudden demises of Dayna and the Judge in the first chapters show how dangerous and terrifying an enemy Flagg is, how our heroes are ostensibly powerless against him, that he can thwart their schemes so quickly, and yet... he is not in control either. 
  • One reason I was disappointed in Needful Things, one of King's other novels, was because it ended up in a bloodbath. Most of the characters ended up dead, and I stopped caring after a while. The Stand has a similar body count among the named cast, and yet it worked. The stakes were higher.

Sacrifice

  • I could have kicked myself when he men from Boulder simply walked into Las Vegas and I finally realised what kind of story this was. How were four unarmed man going to do battle with Randall Flagg and his forces and live to tell the tale? They weren't meant to. That wasn't the plan. They were the sacrifice. And in retrospect it seemed obvious. The book is so full of Christian allegory - King even describes it as such in his introduction! Still, I shouted out in horror when I realised what Flagg had in store for the characters. 
  • So why, if they just had to show up and die, did they have to walk instead of drive? If they'd taken a car, how much suffering might have been prevented? But the walk was important; a test of character and faith. And, as Judith pointed out, it was about timing. They arrived, Flagg's gathered everyone together to make a spectacle of them, and the Trashcan Man shows up with his nuclear bomb. And so the plot strands all come together. Brutal.
Stu
  • Looking back over Mother Abagail's prophecy, I realised she didn't say that one character would die, she said that one would not reach the destination - and that was Stu. He falls in the desert and breaks his leg, and as his broken-hearted friends leave him behind, we learn that "they never saw Stu again." That was when I started to put the pieces together - because I was sure that Stu would survive, against all the odds. With the help of the dog, Kojak, and Tom Cullen, the surviving spy on his way home, Stu pulls through the impossible and heads back east towards Boulder.
  • I actually found Stu's journey home the most suspenseful part of the entire book. We think the danger is over - and then he starts having nightmares about Frannie's baby, opening up new fears. No, no, it has to be all right! There aren't enough pages left to do the alternative justice. Small spoilers remind us that we haven't actually seen anything that's going on in Boulder since they left. 
The End:
  • And then he arrives home to the worst news. The baby is alive - but it's got Captain Trips, the superflu that no one has ever survived. It's only a matter of time. But no. It can't die. Not this close to the end. Not after 1200 pages or so of waiting. And so I dared to hope that this child would have some sort of mutation that would allow it to throw off the disease - and when this turned out to be true I shouted "YES!" and punched the air. 
  • Although, ultimately, there was no battle in the end (and how many epic fantasies don't have a battle? It's just taken for granted these days. Nice to mix up the expectations there!) the only survivors of the main cast are Frannie, Stu, and Tom Cullen. Apart from Harold's bomb, the Free Zone has been largely safe, though, most of the casualties happened in Vegas or on the way. The community is growing. Yet, even so, my prediction about starting again once more proved correct, if not in the way I expected. Because, despite the increasing growth of the Boulder community, people are moving away again. The system begins to show the same flaws and problems as in the previous America. The Free Zone is now full of anonymous strangers, and with anonymity comes loss of community. So Stu and Frannie, with their baby (and another on the way) decide to move away, start again, US history unwinding again. They're going back to the pioneer life, away from everyone, out into the unknown. Very Little House on the Prairie. I was even right about the book ending on Mother Abagail's farm with Stu, Frannie and the baby. Although I wasn't expecting the new society to be that small!
  • Almost ending, I should say. The epilogue leaves us with a final glimpse of Randall Flagg, still out there, somewhere. And as I'm aware that there is some crossover with the Dark Tower series, of which I've only read the first two books, I'm wondering if that world is where he's ended up.
Ultimately, I found the ending a lot more satisfying than I'd expected to, based upon where book two left off. I've seen several people criticising the book for having a rushed ending, but I think there were good reasons for some storylines coming to a very sudden halt. Yes, The Stand has earned its place at the "good" end of King's work, and was definitely worth the time and emotional commitment invested into it. 

Monday, 18 April 2016

Book Club: Katie and Judith read Stephen King's The Stand - Book 2, Chapters 51-60.

This update is rather belated as I spent a week somewhat appropriately struck down with the flu. I never get flu - I think this is the second time in thirty years, and so the timing of this was rather hilarious.* In the second half of Book 2 of The Stand, all our good guys have come together and settled down in Boulder, Colorado, and are working together to form a new society, known as The Free Zone. Meanwhile, in Las Vegas, the evil Randall Flagg has got his own community.

Spoilers aplenty! Read on at your own risk!



Life in the Free Zone

  • Judith got very annoyed that even after the world's been turned upside-down, there seems to be the old expectations of gender roles: the women (ie Frannie) do the housework, while the men go out and do manual labour. Of course, we only really see the domestic arrangements of a few families. But Stu seemed surprised at first to see Frannie washing and mending when there are stores full of clothes for the taking. But that's no way to live - chuck out clothes instead of washing them. Still, Stu is a Good Egg and promises to take turns hand-washing the laundry (at least until the power's back on and "Frannie" can use a washing machine again.
  • And anyway, what are they doing with all the rubbish, all the empty food cans and waste? I didn't see any mention of bin men. Is the water still on? Do they have a plumber? These are the details we want to know!
  • Judith's grumbles of last week were that the Free Zone residents appeared to be recreating the same old way of life as they were familiar with from the old America. But money is useless now. Ownership doesn't seem to matter. If what you need is available, it's there for the taking - if it isn't, improvise. 
  • Of course, these resources won't last forever. For now, the Free Zone residents just want to survive the winter.

The Committee

  • There are a lot of committee meetings in this part of the book! And sure enough, most of the named protagonists are on the committee - it does seem a little bit cliquey, and we didn't much like Glen Bateman's conversation with Stu in the previous section, which seems to be all about how to ensure that their in-crowd get nominated. 
  • One of their tasks is to organise a team of spies to go over to Las Vegas against Flagg, and I didn't feel at all comfortable with the way that this group of seven took responsibility for picking out their "volunteers" in their absence, in full knowledge of their probable fates. For two of the spies, at least - the Judge and Dayna - they would at least get to make an informed decision, even if they can't very well feel able to decline. But the third was the mentally challenged Tom Cullen, and that just doesn't sit right with me. But, although Tom is "not playing with a full deck," it seems that he's got the rest of his cards stashed away in his subconscious, so if you hypnotise him, he's able to understand and consent to being sent off on his own into mortal danger, even if he doesn't remember it afterwards. No, this did not sit well with me at all.

Nadine, Harold - and Larry

  • It's a very black-and-white world: there are the good guys and there are Flagg's people. Nadine and Larry are on the line - they could go either way. One decision shapes both of their fates: when Nadine tries to seduce Larry, but he's having none of it. It seems quite rare in fiction for a character to actually resist temptation! So, good for Larry. It's just a shame bad consequences came of him making the right decision...
  • Yet, as Judith pointed out, Larry cannot be held responsible for Nadine's actions, and if it was the moment that marked Nadine's downfall, Larry's choice of loyalty to Lucy over lust was the moment that marked his redemption. If he'd gone with Nadine, would he have been able to save her - or would she have dragged him down with her? (I see parallels of abusive relationships where one person thinks they can change another.)
  • Instead, Nadine turns to Harold, and this is where his nastiness, his martyr complex and his venomous hatred turn his loyalties over to Flagg once and for all. I was still shocked by what happened next...

Wasted Characters?

  • I was Most Displeased by the death of Nick Andros in Harold's explosion. Nick had been my favourite protagonist in the first book of The Stand. but once he arrived at Boulder he seemed to disappear somewhat. Sure, he sat on the committee, and his connection to Tom was a key plot point, but it felt rather as though King didn't know what to do with him, so got him blown up, instead! As Judith pointed out, his lack of a voice meant that he kind of got lost in the crowd once Boulder began filling up with people.
  • Similarly, Mother Abagail, who was such a strong force for good, just vanished halfway through the book, returning to bring prophecies and then die. Her role seemed to be as a catalyst for plot events, rather than as an actual character.
Predictions for Book 3:
  • That the focus will shift to the four remaining white (probably) male able-bodied members of the committee as they trek out to Las Vegas to confront Randall Flagg somehow.
  • Somehow the four of them: Stu, Larry. Glen Bateman and Ralph (who we don't really know very well) have to take on Randall Flagg and his entire company. It seems like a doomed mission of foolishness, and I just don't know how they can hope to win in whatever battle is coming up. I'm sure they will defeat - if not destroy - Flagg, but King's got his work cut out to impress me with whatever deus ex machina he'll use to make this a battle and not a suicide mission.**
  • Mother Abagail predicted that one member of the group will die. That seems to fit Larry's journey of character growth: redemption equals death. 
  • Judith reckons that the book might end with the beginning of the battle.
  • I think that whatever happens, the population will suffer even more great losses, and will end up starting another new society from scratch, with a very small and simple community. Perhaps it will end, after all, in Mother Abagail's farm.
  • I'm pretty sure Stu and Frannie will survive, and we've had so much invested in Frannie's baby that I really hope that it will live too. As a family, they'll be a symbol of hope for the future in a broken world. Also I feel like Tom Cullen has a charmed aura of Author Protection. Despite all the odds, he'll be okay.


*Not hilarious.

Friday, 8 April 2016

Book Club: Katie and Judith read Stephen King's The Stand - Book 2, Chapters 43-50.

Spoiler alert: This post goes into a lot more detail than a general review. My literature-brain is at work.


Book one of The Stand saw most of the world's population killed by a super-deadly, weaponised version of the 'flu, engineered by the US military, and accidentally released into its own population. The few survivors are scattered and wandering, a few of them teaming up while looking for somewhere to go, something to do, now the world as they know it has come crashing down. They are being haunted by strange dreams and dark nightmares, seeming to call to them from across the country...

Introducing...
  • Book one let us get to know the main cast of The Stand: Larry and Stu, Frannie and Nick, with glimpses into the lives of a couple of the bad guys, and brief sightings of the Dark Man, Randall Flagg, and an old lady called Mother Abagail, who seems to be his opposite number. Now we've figured them out, it's time to bring in a new supporting cast, to replace all the friends-and-relations wiped out by the virus.
  • The problem I found is that the new characters do not yet feel as fully-formed as those we've already spent time befriending (or whatever the opposite is.) All the groups of travellers are getting bigger, but with each chapter bringing in a new point-of-view, both Judith and I found ourselves needing to take a little time reminding ourselves of which newcomers were travelling with which old faces. 
  • We both found the narrative's treatment of the women newbies a little troubling. Nick, the Generally Good Egg, meets Julie, but as soon as she is introduced to his other companion, the simple-minded Tom Cullen, she stirs up trouble between them and Nick's dismissal of her (but not until after he's slept with her because of course) seems uncharacteristically brutal. I get that she was a troublemaker, I didn't like her right from the start, and obviously he's meant to have seen something inside her that is dangerous, but... I dunno. She felt very much like a lazy use of the "evil seductress" trope rather than a real person, and it didn't quite sit right with me. 
  • And Judith was bothered by Larry's treatment of Lucy. He's "in love with" Nadine, but not so much that if he can't get together with her, he won't make do with Lucy as second best. Lucy, too, seemed like a trope, rather than a character: the woman who is with a man who doesn't love her, because she doesn't expect any better. Judith's read a lot of bad sci-fi ("or good sci-fi by men who know nothing about women") and is so familiar with and so tired of that kind of two-dimensional character.
  • Of all the new characters, though, Nadine is the most interesting. I didn't trust her, right from the start; sneaking around behind Larry, rather than introducing herself to him. But on the surface, she seems decent enough: she loves children, doesn't believe in violence, is a virgin well into her thirties. And then it turns out she and the dark man go way back... Oh, she's never met him, as far as I can tell, but she's been dreaming of him since long before Captain Trips. Like Larry, she's walking the fine line between good and evil, but where Larry seems bad but will probably end up a hero, I have a very bad feeling about Nadine's plotline. I do not think it will end well at all.  

Doubles and contrasts
  • My English Literature brain has noticed a lot of pairs, doubles and contrasts throughout this page. You've got the people dreaming of both Abagail and Flagg, with their heaven-and-hell symbolism, and I've just highlighted how I can see Nadine acting as a dark mirror for Larry's character development. Then we've got Tom Cullen and the Trashcan Man - both a little broken, but one all goodness and one all bad.

Apocalypse
  • The Stand is not the first "post-Apocalyptic" book I've read; there do seem to be a lot of them about, but this is unusual in really living up to the description. It's surprisingly religious in some ways, with a good-versus-evil battle for souls, and a lot of biblical imagery. And we've had Pestilence, or Plague, and Death. War is coming, and Judith has a bad feeling about their preparations against Famine.
  • Early on in the book, two characters discuss the weird phenomenon of trains and planes involved in accidents not being full to capacity, with a consistently higher no-show rate than those vehicles that reach their destinations OK. I'd heard a lot of stories about people who should have been on the trains and bus bombed in London in 2005, and Judith confirmed this: both her sister and her aunt ought to have been on the same train. One was early, the other late!
  • Boulder, Colorado, where the good guys eventually settle was a lot emptier than most of the towns the protagonists have passed through. Maybe the inhabitants thought they could escape the plague. But the plague was everywhere by the end. It seems very convenient for our guys, not to have so many bodies to bury. But maybe it is also foreshadowing another disaster approaching. (The very nature of this book tells us another disaster is approaching. But what will be the catalyst?)
  • War is coming, and Flagg has the advantage so far, with our heroes spending most of their time travelling and settling into their new city. Flagg has an arsenal of weapons, and, if Bateman is to be believed, most of the technical people. What on earth is Stephen King trying to say here? Computer nerds are evil, or technology is? Is he advocating an ending similar to the finale of the most recent version of Battlestar Galactica? It seems like a very harsh and simplistic judgement!
Location
  • I asked if there was any significance to the locations where people have congregated. Neither Judith nor I have been to America, so we can't go from personal experience, but Las Vegas has a rather garish reputation of debauchery (and I'm sure it's lovely in real life. Well...) Also, it's surrounded by desert, so there's nowhere to run.
  • Abagail's farm in Nebraska seemed idyllic, all fertile and wholesome and old-fashioned. But it's not big enough for all the people flocking towards them, so they had to find a new place: Boulder, Colorado, a deserted city (as are they all, now, but this one has fewer corpses ruining the aesthetic.) But there does seem to be a sort of exiled-from-paradise theme here, too. 
Politics
  • The bit that made Judith the angriest in this section was Bateman's discussion of having to reinstate a political system in the free zone of Boulder. And, of course, it has to be the same old way of doing things as before: a hierarchy, a democracy, sure, but let's make sure that it's the sort of democracy that he and his people want. They'll have Mother Abagail as the nominal head, because she's the one the people have come to find, but really Bateman and his carefully-selected committee will be in charge. Stick to what is tried, tested, and not entirely broken, but for goodness' sake, don't try anything new.
  • Although Judith liked Bateman upon first meeting him, now she can't stand him, finding him manipulative and sly.
  • Politics, I think, is where the new utopian society will start to come apart.
  • But what's the alternative? In Las Vegas, where Randall Flagg is setting up his own domain, it is a democracy, ruled by fear. And Flagg may have called all the dark hearts towards him, but he is ruthless in disposing of anyone who is not "useful" to him.
Dreams
  • So, as has already been mentioned, the characters have all been dreaming of Randall Flagg and Mother Abagail. Up to a point, fair enough. But their dreams are starting to shape too much of the plot. They're going to places because of dreams. They're getting valuable information from their dreams. And it's starting to nag at me that this feels like cheating. Sure, if everyone's having the same dreams, they'd say "hmm, that's weird," and "maybe there's something going on here," but it's bothering me how much trust they're putting in them, and it feels like lazy storytelling to me.
Harold
  • When Larry arrived at the free zone, he revealed that he'd been following a trail set by Harold Lauder. He had a far higher opinion of Harold than either Frannie or Judith and I did. It set me to wondering who had the more accurate impression of the guy. Larry judged him only by his actions, unprejudiced by Harold's age, personality or appearance. Is he ignorant or wise?
  • We discussed last week that Harold felt like a dangerously unhinged "protector" of Frannie. When he described Stu as "that guy," with all his preconceived ideas of the stereotype jock figure, I was thinking, no, Harold is the "that guy" of today's world, the self-described "nice guy" who makes a martyr of himself, whining about being "friendzoned" whenever a girl doesn't fancy him, and feeling all hard-done-by and entitled to another person's affections. Not a nice guy at all. 
  • As such, he seemed far too cheerful about Frannie and Stu becoming an item. He took it too well, and, after Fran's reflections after discussing Harold with Larry, you could almost wonder if, after all, Harold was more mature than we'd given him credit for. Then you remember he's spied on them together, stolen Frannie's diary, and generally acted much younger than his age, and it's all thrown into doubt. In the last couple of pages of chapter 50, we see Harold's perspective, and no, it is all an act. 
  • I never had a high opinion of Harold, but I was still shocked to see him plotting to actually go to Flagg and betray his fellow-survivors. All because he didn't get the girl. It seems that everyone who goes bad, ends up with Flagg. There's no grey areas. I'm not sure whether I like that or not. I suppose Harold's story shows the mundane sort of evil born of jealousy or selfishness or so on. Not all of the bad guys are the murderers and robbers and rapists. Some start off quite ordinary folk, with a weakness, and where there's a weakness, there's a vulnerability to the dark side.
Conclusion:

So, what's to come? Now we've got all our main good guys together in Boulder, they've got to start building a community once more. There's a meeting been called to discuss leadership, politics and a legal system. Judith is concerned that no one's mentioned farming yet. Canned foods won't last forever, and people need fresh vegetables. They need doctors, surgeons - even appendicitis has proven fatal, now. Frannie'll need a midwife. Meanwhile, we know trouble is coming. War is coming, and they are unprepared. But before Flagg launches his assault on Boulder, in whatever form that will take, I think it will start corroding from within. ("Things fall apart; the centre does not hold.) Nadine is dangerous. Harold is dangerous. Larry is a risk. I think good will prevail, ultimately, but at a great cost, and Randall Flagg will not be utterly destroyed. I rather suspect that there will be yet another great collapse, and that the book will end with the last survivors having to start afresh yet again. Perhaps back at Mother Abagail's farm in Nebraska - but she will not be there. She's a hundred and eight. She will not survive the book.

Sunday, 3 April 2016

Book Club: Katie and Judith read Stephen King's The Stand - Book 1.

After finishing reading Jonathan Strange and Mr Norrell at the beginning of March, you'd think I'd whizz through a load of the shorter books on my to-read shelf. But instead, I launched almost immediately into one of the biggest novels in any bookshop, Stephen King's epic The Stand. But not alone. This time I'm reading in company, with my best friend Judith (who beat me to the one and only copy in the library, so I had to buy my own. It was free on Waterstone's points, though, so I'm not complaining.) From time to time, Judith and I hold our own two-person book club, and this time I've made enough notes to share with you, you lucky, lucky people.

Spoiler warning: As a multi-part discussion, this will contain a lot more detail than a normal review.


Expectations and Surprises:

  • I knew very little about The Stand when I started reading it. All I knew was that it was a post-apocalyptic novel set after a super-flu wipes out most of the world's populations, and that its villain, Randall Flagg, is one of Stephen King's biggest baddies, and that he pops up in several other of King's novels in different guises, and also that there is some crossover with the Dark Tower series, of which I've read the first two books. As such, I won't be surprised if I see him there later on - and am not certain he hasn't already been mentioned.
  • I had images in my head of desert wasteland, of lots of people walking, of ravens and crows.
  • Judith has read The Stand before, probably at least ten years ago, and she was surprised at how long it took to set the scene; she had forgotten that we see so much of what the world was like before the flu virus, nicknamed "Captain Trips" set in. We get through the length of an ordinary book (about 400 pages) introducing the protagonists in their ordinary or not-so-ordinary lives, going about their business and facing their own challenges, big and little, before the virus breaks in and disrupts everything. I found myself so engrossed in the characters' stories that I'd almost forget about the main plot until King would remind us at the end of a chapter, and show how the virus is spreading from one person, across the country and to the entire world.

The characters

  • The designated protagonists are the survivors from each of the different subplots: Stu, one of the first to come into contact with "Captain Trips," Frannie, a college student who has just found out she's expecting a baby, Larry, a rock star with one hit record who has found himself in financial trouble, and Nick, a deaf and mute wanderer who had just found a place for himself, when the flu came to town, leaving him the last survivor. He was our favourite character, a guy who's had a bad lot in life, but who has made the best of things. A thoroughly Good Egg. (Great. He's going to die, isn't he? Probably in some kind of heroic sacrifice to save the world. He's that sort of character.)
  • Then there's Lloyd, who is simply repulsive, a criminal who has got mixed up in robbery and murder, and who found himself quite pleased with his new bad-guy image in jail... right up to the point at which he discovers he's facing the death sentence. It's difficult to feel sorry for Lloyd, and yet, once the flu hits and he's left alone in his cell, you wouldn't wish that onto anyone. Then Randall Flagg turns up. "Pleased to meet you!" he says, and I don't think it's a coincidence that I had already jotted down that very line (followed by "hope you've guessed my name") after reading the first couple of pages featuring Flagg. 
  • Nick might be my favourite character, and Judith's, but Larry Underwood seems the most complex, with the biggest "journey" ahead of him. He's not a good man, and deep inside, he knows that. He's weak-willed, selfish, often unkind. His own mother described him as a "taker." She loved him dearly, could see there was good inside him - but wished he'd do more to get in touch with that goodness. Already, The Stand is shaping up to have a big Good vs Evil conflict going on, with some characters falling each side of the divide. Larry could go either way. I predict that, ultimately, he'll be on the "good" side, but it'll be a long hard struggle for him.
  • Towards the end of book 1, the survivors are just starting to meet up with others, and we've got the beginnings of a new secondary cast. Frannie travels with her late best friend's little brother, Harold Lauder. He's a weird kid, pompous and nerdy, an intelligent teenager, a weird mixture of child and man. But at the end of part one, he shows some worrying, rather creepy tendencies. It's clear he's got a crush on Frannie, who is five years his senior, and feels protective towards her, but that protectiveness shows itself in a worrying, potentially dangerous way, when they meet up with Stu, betraying his feelings as a possessiveness that Judith described as thoroughly repulsive.

Morality:

  • When Frannie comes home to tell her parents about her pregnancy, her mother and father show two very different approaches to morality in life. Her mother is very religious, with a rigid moral code - and utterly loveless, a very nasty woman. By contrast, her father is a gentle sort of man, who does not like to contradict his wife, but prefers a peaceful life. He lives his life by logic, science, reason. Yet, when it comes to Frannie's baby, he is surprised that his opinions are driven not by logic, or by generations of rules and laws, but by his emotions. I pondered on what kind of moral code will be of more use when building a new civilisation from scratch.
  • Judith's example was of a train heading towards five people on the railway track. If you had the power to flick a switch and save them, but by doing so, kill one person on the siding, would you do that? The logical answer is that one person dying is better than five, that, to quote Spock, "The needs of the many outweigh the needs of the few, or the one." But, according to a book she'd been reading (she did not name it) that is a psychopath's answer; most people's consciences would feel worse about killing one person by one's actions, even to save five, than to let them die through one's inaction, because they would die anyway. (And I decided that I didn't like either option, and that I'd just shout "GET OFF THE LINE!" because, to use another Wrath of Khan quote, "I don't believe in no-win scenarios.") But as for what sort of moral code will be the foundation of a new civilisation, and its strengths and weaknesses, we'll have to wait and see.
The Collapse of Civilisation
  • I chose the wrong time to read The Stand; when a vicious strain of flu and colds was doing its rounds, making me feel quite uneasy. But I also wondered about whether The Stand could be viewed as an allegory, or a warning, of anything else that might cause society to collapse. I looked up the poem that some of the characters discussed, W. B. Yeats' "The Second Coming," which was written after the First World War, or could also refer to the political situation of Ireland at the time. It's full of end-of-the-world imagery, and I felt that it sets the tone for the entire book. In the middle of the 20th century, people feared nuclear war could bring about the end of life as we know it, and I even thought about the UK of the moment, with the government making cuts upon cuts upon cuts, to the health service, to welfare for the disabled, the poor, the young, the old. Things fall apart; the centre cannot hold. How much more can this go on?
  • And Judith has been reading about all the old lost civilisations, where the top ends have grown more and more prosperous, the gulf between rich and poor grown wider and wider, until  -Things fall apart; the centre cannot hold.
  • Bateman, one of the people met along the way, serves as Mr Exposition, predicting a rather pessimistic future of small societies destroying each other. 
  • The most horrifying thing about The Stand is that the "Captain Trips" virus was entirely man-made, a biologically-engineered weapon. And the question raised is why? Who would be stupid enough to make something that would practically wipe out the entire world - and make no antidote? Yet it's entirely believable. Always, nations are making bigger and more horrifying weapons that they never expect to use, just to prove to actual and potential enemies that they're not to be messed with. But in this case, all it takes is one person getting out and doing the natural thing of running for it.
  • And what is worse: "Rome falls." They've got agents with phials of the germ all over the world. When it's too late for America, the whole world is going down too. I just don't understand that. Is it an attempt to stop anyone asking questions, to preserve the American military's reputation, even though they're too dead to care about the rest of the world's judgement? Horrific.
The Dreams:
  • The main characters have all started to have nightmares of Randall Flagg in a high place, most clearly in Nick's dream of being offered his hearing and a voice. It's an obvious biblical reference to Satan tempting Jesus in the wilderness. 
  • By contrast, Nick has also dreamed of a ripe cornfield in Nebraska, and an old lady known as Mother Abagail. Judith was a bit confused by the cornfield, as she was sure it was supposed to symbolise innocence, nostalgia, simpler times - but, despite living on an Island with lots of farmland, it didn't have any personal associations for her. For me, the fertile farmland was set up as a contrast to the desert: life instead of death, good instead of evil.
In Conclusion:

By the end of book one, only a couple of the many characters introduced so far have met up, and they are all wandering fairly aimlessly. Nick is heading for Nebraska, Fran, Harold and Stu heading for Vermont, and I think Larry's in the same state, but has not met up with the rest. They are coming closer, but still in small clusters of people, nowhere near forming a society. I'd had the idea that The Stand would form one community, or maybe two (one good, one evil) but if so, it's still a good way into the future. Maybe, instead, it's an epic along the lines of Game of Thrones with the characters scattered all across the continent. I kind of wish I'd got a map where I could mark out all the characters' journeys, and where they are in relation to each other. 400-odd pages in, and we're at the point where I'd imagined the book to begin! Not that I mind; what I like best about Stephen King's good works is that he does take time just getting to know the characters, setting them up and drawing you in, making you care before throwing everything he's got at them. 

If you've read The Stand you're very welcome to add any thoughts to the comments below. I'll be posting our thoughts on the first half of Book 2 on Friday.

Saturday, 26 March 2016

Rereadathon the Third: Part two - Saturday 26th - Wednesday 30th March


Saturday:

I finished American Gods yesterday, and although I've read it several times now, I'm feeling a hint of a book hangover; I can't get Shadow and Laura, Wednesday and Mr Nancy and all the rest out of my head. I spent the evening yesterday at a 50th birthday party, which was a really lovely evening, and read most of the stories in Through the Woods, a collection of gothic fairy tales in comic-book form. I left the last one until this morning, however. I remembered being really creeped out by one of the illustrations, and didn't really want that to be the image left in my mind after lights out. Yes, I'm a wimp.

And today I've got stuck back into Anne of Green Gables. If I must buy lots of different editions of my favourite book since childhood, it's only right that I read each one, and I've got a lovely collector's library, pocket-sized with gold edges and illustrations. I know that book inside out. If I found myself in the dystopian world of Fahrenheit 451, where books are banned and live on only because people memorise them word for word, Anne would be mine. I don't know it word for word,  and yet I can identify it from a half-glimpsed sentence on an e-reader screen. I can tell if the wording is slightly different from one edition to another. This copy I'm reading today has Marilla saying she didn't want a "Barnardo boy" instead of "'home' child," which was the wording I knew from my existing three copies. When was this changed?

It really struck me today how little legal protection orphans had back in the nineteenth century, when Anne of Green Gables was set. For one thing, Marilla and Matthew just decided the night before, that if Mrs Spencer was going over to the orphanage in Nova Scotia to adopt a child, she might as well pick one up for them too at the same time - like she's running grocery errands for them. There's no paperwork, they don't even need to go to the orphanage themselves to be assessed (hence the mix-up when they wanted a boy and got Anne instead.) Yes, Matthew and Marilla are good people, but they could be anyone. Mrs Spencer doesn't even take Anne all the way to Green Gables, but drops her off at the Bright River railway station in a strange place where she knows no one.  There's no follow-up; once Anne's off the hands of the orphanage trustees, we never hear from them again. If it weren't for Marilla's change of heart, she could have been fobbed off onto the awful Mrs Blewett and worked half to death, and no one would have any record of where she went or what happened to her. It's all rather sombre to think of what could have happened, if the story had gone differently.

Saturday Stats

Books read from: Through the Woods - Emily Carroll
Anne of Green Gables - L. M. Montgomery
Pages read: 202
Books finished this week: 2
Favourite reread so far: American Gods. 
On the menu: tuna couscous pot, apple, easter egg


Sunday and Monday

Although it's currently quite sunny, the last couple of days have been very temperamental weather-wise with Storm Katie hitting yesterday evening. (I had nothing to do with it, I swear!) So the usual Easter walk has been postponed, and I spent most of yesterday afternoon finishing Anne of Green Gables. What makes Anne stand out from the other children's books of the late 19th and early 20th century, is the way that L. M. Montgomery captures the spirit of childhood in a rural community. Anne is neither sickeningly good, nor do the scrapes she gets in read as though written as a moral lesson to the reader. Montgomery gently laughs at Anne's eccentricities, but does not diminish the soaring highs and crashing lows that might seem mundane but are important to the child. Anne is one of life's optimists, but you read enough sorrow between the lines to keep the sweetness from becoming cloying; the down-to-earth humour keeps Anne's precociousness from becoming twee. She's a bright, sparky child who has survived a tough life - having to care for her former foster mother's eight children (with twins three times in succession) while little more than an infant herself - through the escape of books and imagination. So it's heartwarming to see her delight as she discovers the simple pleasures: eating ice cream, sleeping in a spare-room bed, and to finally discover people who love her unconditionally. 

I've no idea how many times I've read Anne. As a child I would read the same books over and over and over again, and a family friend's enduring image of me is reading that book, with my hair in pigtails and wearing a straw summer hat. But it still has the power to make me laugh and love and cry. I cried twice yesterday, once when the uptight, repressed Marilla half-grieves that Anne has to grow up, and the other time - well, you know which part!

Today, (Monday) I switched off my alarm and let myself sleep as late as I liked (which was pretty late) although the weather outside gave me some strange and frightening dreams. As I've already said, I've been getting into a routine even on days when I'm not working, but bank holidays are different. Today I ought to take a break from the rereadathon to catch up with The Stand for this week's readalong segment with Judith (which reminds me, I need to type up last week's notes.) But I also want to get started on my reread of The Charioteer. 

Sunday Stats:

Books read from: Anne of Green Gables - L. M. Montgomery
Pages read today: 267
Total books finished: 3
Favourite reread so far: American Gods and Anne of Green Gables tie
On the menu: hot cross buns, Easter egg (seeing a theme here?) apple, sour cream and garlic Graze crostini snack

Monday Stats:

Books read from: The Charioteer - Mary Renault
Pages read today: 220
Total books finished: 3
Favourite reread so far: American Gods and Anne of Green Gables tie, but The Charioteer is up there too. Look, they're all excellent! That's why I'm rereading them.
On the menu: Bit of Rocky Road Easter egg, caramel shortbread, apple, Graze snacks.


Tuesday and Wednesday:

It's the last evening of the rereadathon, but I could quite happily do another week, and maybe I will, unofficially; I've still got Monstrous Regiment and Miranda Hart's autobiography, as well as others which got added to my mental list after the books I did read - notably, Anne of Avonlea and Anansi Boys. Yesterday (Tuesday) I spent the evening away from the rereads, as I was a bit behind on my reading of The Stand, although I came back to The Charioteer for another chapter before bed, and over breakfast this morning. The problem with having two books on the go at once - especially when they are two good books - is that you can't choose which one to pick up. But for now, I think I'll aim to finish The Charioteer by the end of today. I'm feeling a little sleepy, however, and might fall asleep quite early.

(Later)

I finished The Charioteer at about 11PM, and I think I'm more satisfied with the ending on the second reading. Although I've concluded it is a happy ending, I find myself wondering about how the story will continue past the last page, and how much of a rollercoaster ride the characters are in for when the book is closed. I don't think that their problems will go away as easily as they, or we, would like. But they will endure the storms together, of that much I'm sure.

I am writing about these ink-and-paper people as if they are real, alive today, and that the next page is tomorrow, despite The Charioteer being written in the 1950s and set in the 1940s. That's the power of books, and why we like to return to books we've already read - to reacquaint ourselves with old friends, and try to know them better. When I was about 17, I read an author's afterward for a novel I studied at school, where they wrote something along the lines of, "People keep asking me what happened to the characters after the events of the book. Nothing happened! It's a story! They don't exist off the page!" I'm certainly misquoting this author's words, and probably misrepresenting what they were trying to say, but it was the message I took away, and I've never quite forgiven that author since. 

Tuesday Stats:

Rereadathon books read from: The Charioteer - Mary Renault
Rereadathon pages read today: 31
Other reading: The Stand - Stephen King
Total books finished: 3
Favourite reread: Anne, American Gods (see above)
On the menu: Apple, Bit of Easter egg, Graze cheesey corn snack

Wednesday Stats:

Rereadathon books read from: The Charioteer - Mary Renault
Rereadathon pages read today: 168
Other reading: The Stand - Stephen King
Total books finished: 4
Favourite reread: See above
On the menu: Special K cereal, chocolate brownie bites.

Final summary:

Books read: American Gods - Neil Gaiman
Through the Woods - Emily Carroll
Anne of Green Gables - L. M. Montgomery
The Charioteer - Mary Renault
Pages read: 1592
Best reading day: Sunday (267 pages)
Average: 159 pages per day

Thanks again to Bex for hosting the rereadathon. I've really enjoyed it. Another one in the autumn perhaps? 

Tuesday, 22 March 2016

Mini Book Reviews: The Rental Heart by Kirsty Logan, Harriet by Elizabeth Jenkins

The Rental Heart and Other Fairytales - Kirsty Logan


Kirsty Logan's first novel, The Gracekeepers, was one of my most memorable reads of last year; a haunting, hypnotic tale set in a watery future world. When I bought it on one of my London bookshopping trips, the chatty bookseller told me that it had originated from one of the short stories in Logan's award-winning collection. The burnt-out doll's house on the front cover represents well the unsettling nature of the stories. These are not cosy tales; many are about longing and disappointment, making do and wanting more. Each sentence is carefully crafted, made up of what is said and what is left unspoken, and I had to linger a while after each story, taking in what I'd just read, before I could move on to the next.

Some of these stories are more obviously fairytales: the tales of witches in the woods, clockwork men, children with antlers and tails. Others borrow familiar tropes and imagery, and twist them around to make you rethink. The settings are contemporary, historical, and fantastical: France and Scotland, Australia and New Orleans, a blending of the magical and the mundane,

I wonder what it is about the language of fairytales that is so appealing to the adult reader. Some of
Writers have reclaimed the storytelling form, rejecting the sugar-sweet sanitised fables that the Victorians, and later Walt Disney, marked out with their own style. Kirsty Logan uses the fantastical settings and techniques to explore darker themes, primal fears, the shadows that lurk at the edge of sight.

Harriet - Elizabeth Jenkins



Elizabeth Jenkins' 1934 novel Harriet was another Bookshop Crawl purchase, one of two books republished and sold by Persephone Books.  The titular Harriet is a wealthy thirty-two year old woman sought in marriage by Lewis Oman, an unscrupulous cad who is quite clearly only interested in her money. Harriet has an unspecified learning disability, and she takes little convincing that Lewis is in love with her, but no one else is fooled for a moment. Yet Harriet has no legal protection: she may have a child's mind, but she is an adult of independent means, and if she chooses to marry an unsuitable man, there is nothing to prevent her from doing just that. With Mrs Ogilvy, the reader has to sit back and watch disaster unfold.

Elizabeth Jenkins raises a lot of uncomfortable questions in her narrative: what can Mrs Ogilvy do? To meddle in her daughter's affairs will set her new son-in-law against her, and yet for her to submit so easily when she knows Lewis is manipulating Harriet, to conclude with her husband that "Lewis is a most objectionable young man, no doubt, but many people's daughters do much worse," seems defeatist, almost callous. What could Mrs Ogilvy do?

Harriet is a disquieting read, for the insight given into the minds of Lewis Oman and his family, as their manipulation of a vulnerable woman slips into neglect and abuse. Jenkins never shows the family planning their cruelties, just how they excuse their increasingly brutal behaviour. Her skill is in letting the reader work out for themselves what will not be explicitly spelled out by the narrative or admitted by Harriet's husband and in-laws, even to themselves. The more they shut Harriet out of sight and put her out of mind, the more excuses they make to themselves, because, to them, Harriet is an inconvenience, an embarrassment, not a full human being. And with such an attitude, the consequences seem inevitable. Jenkins took the facts from the reports of a real-life trial, and spun a tale that could attempt to explain how seemingly-ordinary people could be capable of great evil. An understated but chilling and important read.

Monday, 21 March 2016

Rereadathon the Third: Part One - Monday 21st - Friday 25th March


It's here! I always enjoy taking time out to reread and rediscover some of my old favourite books, but I also have piles and piles of NEW books I'm always trying to keep on top of. So last year the fabulous Bex came up with the Rereadathon: a week or two for us to focus on just enjoying the company of these old friends, guilt-free.

The Pile:




Anne of Green Gables by L. M. Montgomery
Monstrous Regiment by Terry Pratchett
American Gods by Neil Gaiman
The Charioteer by Mary Renault
Is It Just Me? by Miranda Hart
Through the Woods by Emily Carroll

Monday:

I've been trying to get into a steady routine on my days off, to start the day with an hour and a half writing session straight after breakfast. I'd been finding that I'd intend to read a little when I woke, and then "just one more chapter" would kick in and I'd get nothing productive done at all, being so caught up in the book world that I'd struggle to switch over to my own story. Today, in fact, a designated readathon day, the opposite happened; it's been a pretty good writing session, but I didn't want to stop. But stop I must, as my best friend is coming over this evening for our The Stand book club (which really needs a proper book club name, and maybe badges too!) and I had to tidy up, make the place presentable, and of course buy wine. I've got American Gods lined up to kick off the rereadathon; the news that's been trickling out onto the internet about the casting for the TV adaptation has made me really keen to rediscover Shadow's story, and all the little stories that make up Gaiman's masterpiece.

9.15: Judith came over for our two-person book group to discuss the first part of The Stand (our thoughts will no doubt go up here later in the week.) Much wine and ice cream were consumed, as is often the way with book clubs. I debated the wisdom of reading a Neil Gaiman and a Stephen King at the same time, as they are quite similar in tone and genre. But I wasn't going to pass over this long-awaited reread, and I'll just hope I don't get them too muddled in my mind over the next few days!

American Gods is one of those books where I discover new things on every reread, and this time I was struck by a deeper level of meaning to one of Mr Wednesday's comments early on than the meaning Shadow takes from it. (Spoilerish speculation.) When Wednesday says somewhat sadly, of Laura's death, "If it could have but have been any other way," is he speaking about how Laura died, or that she had to die at all. How much of the plot is Wednesday responsible for? What lengths did he have to go to in order to get Shadow on that plane, at that time, and free of all ties, so that he could travel with Wednesday?

Monday Stats: 

Pages read: 162
Books read from: American Gods
Books finished: 0
Favourite reread so far: American Gods
On the menu: Hot cross buns, Graze nut snack, bit of accidentally broken Easter egg.

Tuesday and Wednesday

I've been at work the last two days, so not so much time for rereading, and yesterday when I came home I spent a lot of time clicking through websites and social media, just wasting time. So it was mid-evening before I really got settled back into American Gods, which might explain why I got so very emotional about the cover design. These are the editions of Neil's books which I've got (at least, his first four novels for adults and two story collections) and the black covers, with the scratchy lettering and the slightly grungy sort of style, seem to me to give a better representation of the contents.


In the last few years, Headline brought out a new set of covers, in different colours, and they're very nice, but I don't like them half as much. They seem too polished and mass-market. Where is the edginess, the cult appeal? Sure, everyone has opinions on cover redesigns, and usually you like the ones you read first. Oddly, I seem to have formed such a strong attachment to the black covers that it stretches back in time to years before I even read Neil Gaiman! I must have looked at those books dozens of times over the years; they were always there in the sci-fi and fantasy sections of the bookshops; I knew of Neil because of co-writing Good Omens with Terry Pratchett, but although different university friends recommended Neverwhere and Sandman and Stardust, I didn't read any of them for years. And yet I still see these books on my shelves and am taken back to my student days, because - had I but known it - these were the books I was searching for, with their odd mixture of the gothic, and myth, and dark fairytale, and a cracking great yarn. They remind me of finding my place for the first time, among the arts students and the misfits, finding the dividing line between the cool misfits and the nerds was not this great chasm after all, but just a tiny scratch, and that I felt at home among my own people. And when I read Neverwhere for the first time, five years after it was first recommended to me, it reinforced that feeling that I was coming home. The impact of reading Neil's books reverberated backwards through time, to leave an impression on my memories even from a time before I'd read them.

So yes, a cover is a cover, and you can't judge a book by it. But the old style means a lot to me.

But anyway, about the story. I'm at about the midway point, where Shadow spends some time living at a lovely little town called Lakeside. It's a good town. Shadow can be sure of this, because everyone he meets tells him so. (If only it weren't for the good town's dark secret.) And this is one of my favourite parts of the book. The main plot is on hold for a while - or would be if Mr Wednesday didn't keep whisking Shadow off to meet different associates - and we spend a bit of quiet time with friendly neighbours, good food, an oasis in the middle of the chaos surrounding the old gods and the new. It won't last long, though...

Tuesday stats:

Books read from: American Gods - Neil Gaiman
Pages read: 120
Books finished this week: 0
Favourite reread so far: American Gods
On the menu: bits of Easter egg, apple

Wednesday stats:

Books read from: American Gods - Neil Gaiman
Pages read: 109 so far
Books finished this week: 0
Favourite reread so far: American Gods
On the menu: Peach and passionfruit cheesecake Graze snack, orange, easter egg, gingerbread biscuit

Thursday and Friday

Thursday was another working day for me, and then afterwards I met up with my sister, who is on the Island for the bank holiday weekend, and went in search of the many weird and wonderful flavours of hot cross buns on offer at Marks and Spencer. I watched a bit of Life on Mars with her in the evening, and spent ages chatting, so only read a small amount of American Gods that day. Today (Good Friday) really felt like a spring bank holiday - the only day of this weekend, I understand, in which we'll be having decent weather, so I took my book out and read it in the park, enjoying the sunshine. Although it's expected to rain from tomorrow, I must remember that today, it felt like spring.

I've read American Gods three or four times now, and the first half I remember quite vividly, but I only had a vague recollection of the final showdown, the grand denouement, so I got to piece together all over again what was really going on in Wednesday's plans. I think it makes a little bit more sense with every reading. (My speculation from the other day was referred to later on in the text, and yet I'd never picked up on its significance before.)

This post is getting a bit long, now, so I'll start a new one for my next rereads. I'm off to a fiftieth birthday party this evening, so I doubt I'll get very much reading done. Anne of Green Gables next, I think, or perhaps I'll whizz through Through the Woods tonight (a quick read) and start Anne tomorrow.

Thursday stats:

Books read from: American Gods - Neil Gaiman
Pages read: 48
Books finished this week: 0
Favourite reread so far: American Gods
On the menu: Galaxy Caramel egg, caramel shortbread, the aroma of fresh-baked hot cross buns

Friday stats:

Books read from: American Gods - Neil Gaiman
Through the Woods - Emily Carroll
Pages read: 265
Books finished this week: 1
Favourite reread so far: American Gods
On the menu: steak and cheese sandwich from Subway, Graze herby bread basket snack, bits of Easter egg.

Sunday, 20 March 2016

Jonathan Strange and Mr Norrell - Susanna Clarke



It is England at the beginning of the nineteenth century: the time of King George III, and the Napoleonic Wars. And yet it is not quite England as we know it. For this England is made up of two kingdoms: the north and the south. The King in the North, the Raven King, John Uskglass, was the last practicing magician in the country, but he disappeared three hundred years ago. Since then, English magic has been limited to dusty old men reading dusty old books, studying the theory of magic, but the theory alone. Actual, visible, practical magic is a thing of the past. Or so it seemed, until now...

The story opens with the framing device of a third party - not Norrell, nor Strange, but Mr Segundus, posing the question to the society of magicians: why is magic no longer done in Britain? The following thousand pages proceed to tell us exactly what happens when mortals meddle with magic. The two titular magicians could not be more unlike each other. Gilbert Norrell, the one and only practical magician turned up at the beginning of the book, is a pompous, dull, irritating man, cautious of the powers of magic, and desiring that he should keep the secrets to himself. Meanwhile, Jonathan Strange is outwardly charming, a brilliant apprentice magician, but capricious and reckless.

The story really begins when, against his better judgement, Mr Norrell resurrects a lady from the dead, making a bargain with a shady, David-Bowie-in-Labyrinth-like figure from fairyland known only as the gentleman with the thistle-down hair. Once the fairies get involved, nothing is predictable, and Clarke spins a bewitching tale that draws you into this world like and yet unlike our own, until you are as bewitched as if you too spent half of your life dancing the nights away at the gentleman's kingdom of Lost-hope. Strange and Norrell contrast with one another in almost every aspect of character and approach to magic; one in favour of bringing back magic to English shores in full force, the other wanting only to control it and keep it secure, and by no means to involve the fairies, whose morality, if they have such a thing, is completely alien and unpredictable.

It took me a decade between first buying Jonathan Strange and Mr Norrell as a Christmas present for my dad, and actually getting around to reading it. Even though I suspected it would be right up my street, I found the length a little intimidating, and when I watched the TV adaptation last year, I was the only person in the room not to know the story - a rare event, especially in this genre. Strange and Norrell is absolutely my sort of story, full of dark fantasy and magical story-telling, dangerous fairies, set in a deftly-drawn alternative history and told with dry wit. The narrative reads as though written at the time it was set, and the language and spelling of the regency era serves to draw the reader even further into the world of the novel -  with copious amounts of in-universe footnotes, giving background to the alternative version of history.

Although there were a few chapters near the end (when Strange is travelling in Venice) which seemed less tightly-woven into the plot than the rest, on the whole, the pages flew by easily, and I thoroughly enjoyed spending a week or so in this magical world. Jonathan Strange and Mr Norrell is an indulgent and all-absorbing novel, an excellent comfort read on long winter nights.

Monday, 14 March 2016

Coming soon: Rereadathon and The Stand, plus General Rambling

Hi all. I realise I haven't blogged for over a month. I just had a week's holiday off work, but have been feeling a little run down (which is crazy, seeing as it is the quiet period at work!) and so, yeah. I got out of the habit. I'd been getting into some habits in some ways: regular bedtimes and waking-up times, writing on my mornings off, reading over breakfast and before bed. Then holiday happened and I got ill (just a cold, nothing serious, but it messed up my routine.) Still,  I've got notes to write up about some of the books I've been reading in the last couple of weeks, so look out for a mini-review post in the near future.


I haven't even officially signed up to Bex's rereadathon yet - which is shocking as I was the one who had been badgering her about doing another one. Time to rectify that now! That starts next Monday and runs for ten days, over the Easter weekend and finishing on Wednesday 30th March. I'll definitely be taking the opportunity to reread American Gods, which has been in the public eye a bit more lately, with the announcements of some of the key players (Ricky Whittle as Shadow and Ian McShane as Mr Wednesday, so far.) It doesn't match Neverwhere as my favourite Neil Gaiman book, but it's one I reread semi-regularly and which is better on each reading. Also I fancy rereading The Charioteer by Mary Renault, and considering that Spring is in the air and I bought yet another copy on the bookshop crawl, it is time to revisit my old friend and kindred spirit Anne Shirley.


But I won't be exclusively rereading next week, as my best friend Judith and I are reading Stephen King's The Stand for our sporadic two-person book club. I'm thinking up discussion questions and everything. So I might post our thoughts on the blog after each section, and if you've read the book (or even want to readalong with us, although we've already started and due to read Book 1 by next week) you are very welcome to join in the comments section below. With Stephen King's books, I either love them (The Shining, Carrie, 11.22.63) or am fairly indifferent (Cell, Needful Things. Doctor Sleep falls somewhere in between.) Oh, and then there's Dreamcatcher. Except there isn't because I won't acknowledge it. So, in fact, King's books range from best book ever! to utterly unreadable. Thankfully, The Stand is so far shaping up to be on the excellent end of the scale - which is a relief considering it's about 1400 pages. However, when travelling up to London at the weekend, I kind of regretted starting a book in which a killer flu kills off most of the world's population. On the ferry, on the shuttle-bus, on the train, I was surrounded by the chorus of cough, cough, sniffle, sniffle, sneeze, sneeze. Nice timing!

Due to the aforementioned super-flu going around, most of my plans for the weekend got cancelled by one friend after another, but at least I got to spend more time with Laura in Richmond, which was great fun. Bex was supposed to join us, but alas, was unable to make it. We started off at the Hummingbird Bakery with a many-layered slice of chocolate and salted caramel cake about the size of my head. Naturally, we visited the bookshops, as well as the charity shops, and Laura introduced me to a new children's bookshop in which I did a dramatic reading of Please Mr Panda for her. (This is an excellent picture book, if not quite as good as I Want My Hat Back.) Then we ended up at Starbucks for probably a couple of hours, sharing our life stories and putting the world to rights. We had such a great time it didn't occur to us to take any pictures. Why would I waste time photographing cake when I could be putting it in my face? Where cake is concerned, I have no shame.


Hopefully I will have some book reviews for you before the end of the week, but if not, see you on the 21st for the rereadathon!
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